Title : Sita
Author : Devdutt Pattanaik
Publisher : Penguin India
ISBN : 978-0-143-06432-9
"You judge him but I love him Lakshman. You see your brother as
an ideal and are angry because he has not lived up to your expectations. I see
my husband for what he is, and understand his motivations; at every moment he
strives to be what he thinks is best. I will not burden him with expectations.
That is how I make him feel loved. And he sees me, knows that I will support
him no matter what, even when he resorts to such devious route like an errant
child."
Sita watched Lakshman's nostrils flare. She felt his embarrassment
and his rage. She wanted to reach out and reassure him, but she restrained
herself.
'You feel your Ram has abandoned his Sita, don't you?', she asked
gently.
'But he has not. He cannot.
He is God - he abandons no one.
And I am Goddess - I cannot be abandoned by anyone.'
A mystified Lakshman returned to Ayodhya, while Sita smiled in the
forest and unbound her hair.
Ramayana is an age old saga that has been passed on from generation
to generation through two primary means of communication - maukhik (orally) and
likhit (written). Another medium got added to the list much later - that of
moving pictures, and this has been utilized multitude of times in narrating the
epic tale. But perhaps Devdutt Pattanaik's Sita, is the one, which has touched
me in a way no other could. Unlike Mahabharata, Ramayana is considered to be a
much simpler tale with lesser diversions and sub-tales, but here in Sita, you
get all that there is to read and understand about the story of Ram - the seventh incarnate
of Lord Vishnu. The supporting tales mentioned here, do not hinder the flow of the narrative,
rather they are brought out at the most logical junctures where they actually
belong. Quite like what was done in Jaya, the author tries to bring many
sub-stories, regional twists and beliefs into the fold of the main legend. The
action of Ravana is compared and contrasted with some Greek and Roman
mythological figures as well.
Furthermore, there is perfect dose of analysis and commentary part in the narrative which makes 'Sita' an introspective piece of writing.
In order to stay true to the title 'Sita', the author has attempted
to bring a woman's perspective in the proceedings, which has been
left unregistered by the earlier story tellers. It begins with
Sita's early years in her maternal house. We have been generously introduced to
the childhood period of Rama and his three bothers, however, there is not much
that has been written about Sita as a child. The things that interested her,
her pastimes, her relationship with her parents, sisters and others in the
kingdom - do not find much of a mention in many writings. Here, she is
portrayed as a well-read, wise, strong and confident character. It is amazing how filling colours in a
pencil sketch takes the whole creation to a completely different level and that
is what happens to the character of Sita. Pattanaik also highlights the
relationship that Sita shared with other women characters - the queens of
Ayodhya, Anusuya, Mandodari and Trijata. Their conversations make it easy for the readers to understand the personalities and thought process of various actors.
The unmentioned and unacknowledged trivia may seem insignificant
from the perspective of moving the story forward, nevertheless, they do wonders
in giving a substantial identity to each character.
Though a religious epic, Ramayana is a story which leaves many
wondering and questioning about the fairness and rightfulness of the decision
taken by Ram in banishing his pregnant wife. In Sita, Devdutt Pattanaik has tried
to address this sensitive issue by highlighting the divine connection that Sita
had with Ram, and vice-versa. Sita tried to pacify the embarrassment
of Lakshman thus - 'Ram is dependable, hence God. I am independent, hence
Goddess. He needs to do his duty, follow rules, and safeguard reputation. I am
under no such obligation. I am free to do as I please: love him when I am
separated from him, love him when I am rescued by him, love him when he clings to me, love him
even when he lets me go.' This makes Sita a highly magnanimous person and one
worthy of everyone's admiration and adulation.
Devdutt Pattanaik has the acumen to bring out the untapped wisdom
that is lying deep in the mythological stories of yore. After having read
Jaya and Sita, one wonders, how much there is to learn from such epic tales, if
one could just acquire perception like that of Pattanaik.
I cannot put a final full stop to this review before I quote a few
nuggets of intellect that would make one introspect and contemplate over and
over again.
- Kanyaa-daan - I give you
Lakshmi - wealth, who will bring you pleasure and prosperity. Grant me
Saraswati, wisdom. Let me learn the joy of letting go. In daan only wisdom is asked in exchange, unlike dakshina - where
wealth is asked in exchange and bhiksha, where power is asked in exchange.
- Before your wife came into
your life, you were a student, with no claim on property. After your wife
leaves your life, you must become a hermit, with no claim over property.
Only as long as she is by your side do you have claims over wealth.
Without her, you cannot perform yagna, you must only perform tapasya.
- From desire come all problems
and all desires come from fear.
- What we possess is temporary
but what we become is permanent.
- Most people seek to be the
sun around which the world revolves. Very few are willing to be the moon,
allowing others to be the sun, despite having full knowledge that they can
outshine everyone else. Ram's brothers served him to upholds the integrity
of the royal clan. Sita was bound by wifely obligations but only Hanuman
did so out of pure love. That is why Ram held him closest.
