Wednesday, June 3, 2015

ONE HUNDRED YEARS OF SOLITUDE By GABRIEL GARCIA MARCQUEZ

Title: One Hundred Years of Solitude 
Author: Gabriel Garcia Marquez
No. of Pages: 457

It is said if you want to learn English then Bible is the book you must read. I believe, if you want to understand any concept of universe then Bible answers them all.
“ONE HUNDRED YEARS OF SOLITUDE” is a brief snapshot of Bible only. Colombian novelist Gabriel García Márquez has written an excellent piece, which is a true embodiment of the vicious circle of life. The only reason it is vicious is because it will end at where it all started. Kids usually ask this from elders, who was the first person on this planet and usually they all get different answers from different kinds of people. Few books say “Manu” was the first person and that all would end because of war and violence.
Mocando is a little world isolated from the outside one and the first family out there is of Buendias. José Arcadio Buendía, head of the family is involved in mysterious and scientific inventions and always tries to find logic behind the events.
Turnaorund happens when people of the village are exposed to other ideas and people and that is the moment when everything starts getting messed up in Mocando. It is quite interesting that whenever few leaders think that this is right for the growth of our country or village in the book is possible in long term only if leaders have the traits to control that much power and handle the consequences of it as well.
Head of the family, Jose, was not able to control the happenings and thus war continues and unrest prevails everywhere. Lust for power among the second generation can be seen clearly as after series of wars, Aureliano becomes the leader of the Liberal rebels and governments keep on changing after that. We observe the worst of relationships when people fight and even births, deaths and love affairs take an ugly shape. Author describes various events and centuries go by where people die, come into this village, they fight and then rest in peace. The lady of the house Ursula Iguarán tries to bring that love and unity in her family back but the golden thread of unity was not just broken, but burnt to ashes.  Then banana movement happened just like any other world war and banana workers went on strike. Dead people were dumped in the sea and then nature took its toll.
This is a marvel of a book, a must read for all the intellectual and the thinking beings, and I would surely want readers to feel the end of this story so as to know whether the village came back to normal state or not? Whether anyone survived or not? If yes, then who it was? Was it somebody from high income group or one of the banana workers? Whether anybody was left in this village to celebrate their victory? And the most importantly will this be the way human race will end on this planet earth?

(This review has been contributed by Suhani Bhareja, MBA Candidate at IIM Calcutta)

Monday, January 26, 2015

Sita's Sister by Kavita Kane

Title : Sita's Sister
Author : Kavita Kane
Publisher : Rupa
ISBN : 978-81-291-3484-4

So  many questions keep flooding a thinking individual's mind, more so after reading thought provoking books like Sita's Sister. What is just, what is dharma, which is bigger - a role or an individual, where does duty of one end and the personal space of another begin, who decides which role takes precedence over another, does love mean being someone's weakness or strength, should love surpass duty or the other way round, and many more.

Kavita Kane brings to fore one of those characters of the epic Ramayana who have grossly been ignored by the center stage lights. Urmila is often remembered as one of King Janak's daughters, Sita's younger sister and Lakshman's wife.  Paeans have been written about the sacrifices of the prime characters of the mythology in whose shadow many characters have been eclipsed. Lord Ram smilingly renounced his right on the throne of Ayodhya to follow the promise that his father gave to one of his wives. His worldly consort Sita gave a glimpse of her fortitude by choosing the same path for herself as was destined for her husband. Lakshman chose to let his course get automatically sealed as he could not think of not being with his elder brother during the exile period of 14 years.  Bharat decided to spend the 14 years of Ram's exile in complete abstinence of all royal pleasures as a way of his penance. These are the towering embodiments of ideals in the epic story, but often, the larger than life sagas end up neglecting the contributions of some, who silently bear the consequences of others' decisions and promises. Their greatness lies in invisibly supporting the main players.

In Sita's Sister, Kavita Kane has lent that missing voice to Urmila. The title itself is extremely well thought out, true to the life spent over-shadowed and outshone. Here Urmila is portrayed as a delicately beautiful, spirited young princess who knows her mind and has no qualms in voicing it too. She is not the one who wants to live in illusion or any make believe world. She comes across as an individual who acknowledges and accepts her situations gracefully - whether it is of being a second fiddle to the adopted elder sister Sita or submitting to the fact that her husband would remain committed to his brotherly duties over and above her. But this does not push her down rather she reciprocates the favour by being a source of strength for her loved ones.

She displays the mettle and the fortitude to provide the anchorage to her family whether it was her parental one or later her marital kinship. She tries her best to sew the relationships and while doing so, she poses some very pertinent questions from time to time. Her voiced displeasure on Bharat's decision of spending the next 14 years in Nandigram is clear example of her confident and intrepid nerve. She questions his dharma towards his wife Mandavi - 'we have talked about all sorts of dharma - of the father and the sons, of the king and the princes, of the Brahmin and the Kshatriya, even of the wife for the husband. But is there no dharma of the husband for his wife?'

There cannot be any surprise on the plot front yet the narrative from the perspective of a different character makes it appear so very uniquely distinct.

Some other characters that make their presence felt significantly in the story are that of mother Sunaina and Lakshman. Though a queen, Sunaina is a mother first and wants happiness of her daughters even if it means disregarding the political bindings. The part where she confesses her conduct in front of Urmila, would surely touch readers' inner chords. 'Probably I expected too much from you. Or, because I felt you were mine, the daughter of my flesh and blood, unlike Sita or the motherless Mandavi and Kirti. That's why I was over-protective for them but harsher to you.'

Lakshman has always given an impression of being a person who is devoutly committed to his brotherly duties all through his life and his personal relationships and bonds never surface in prominence. But in Sita's Sister, he comes across as a person who is equally vulnerable and emotional as is any other individual. He also needs someone from whom he could derive his treasure of strength. To deliver on his lofty ideals, he depends on two women in his life - his mother and his wife. Separation from his wife is no less torturous for him either but he wants his 'Mila' to make it easier for him because he acknowledges what she is, in his life 'you are my strength but also my weakness'.

This story very strongly brings back the memories of MaithiliSharan Gupt's Saket, another must read by the connoisseurs of mythology and appreciators of subtle human emotions.

Kavita Kane's language has contemporary feel to it which makes the narrative more relatable for the present-day readers. Also, some of the questions that are raised in the narrative seem equally relevant. Personally I see nothing wrong in re-defining and re-analysing the age old mythology. I firmly believe that the way any story (epic or otherwise) is understood, analysed and presented has a lot to do with a myriad of factors - the time, and the prevailing mindset, customs and culture of that time. So when we experience almost complete metamorphosis of our society with time, perhaps mythology also looks for re-definitions from time to time. 

Cannot help quoting some pearls of wisdom from the book -

...when love surpasses duty, it is salvation.

Unhappiness makes us self-absorbed, it makes one think only of oneself- of the pain, and misery one is suffering.

Only with detachment one learns the value of love versus the range of emotions - exile from attachment. 

Tuesday, November 18, 2014

The Case of the Secretive Sister

Title : The Case of the Secretive Sister
Author : Nilanjan P. Choudhury
No. of Pages : 162
ISBN : 978-9383098552

Mr. Chatterjee is a middle aged man whose long experience in claims settlement for an insurance company has made him a confident candidate to open his own detective agency. His investigation skills do not get tested appropriately as the cases that he gets to work on range from lost documents, missing pets or runaway drivers. Not just that, the number of clients requiring his services have been 'as elusive as Dr. Manmohan Singh in a chatty mood'.

One fine day, Mr. Chatterjee gets a new client in an over-zealous mother, Mrs. Pammi Chaddha who does not want to give up after her four year old daughter Aisharadhya aka Pinky Chaddha (her 'home' name) has been denied admission in one of the most sought-after schools of Bangalore. She wants Mr. Chatterjee to make this daunting task of securing admission for Pinky in the same school, possible.

Though Mr. Chatterjee does not see any hope of succeeding in this case, he wants to give it a fair try. In order to do that he would have to confront the no-nonsense Sister D'Souza who is at the helm of her school as the headmistress. He devices his plans methodically which his smart secretary interprets as his approach to rectify his piles problem. What follow are, action packed pages high on cat and mouse, stalking, drama, comedy and much more. Well, what is a detective novel without any of these elements?

'The Case of the Secretive Sister' is the second book by the author Nilanjan Choudhury but he comes across as a seasoned author especially when it comes to the tautness of the narrative and the finesse in the language. Once the narrative takes a fast-paced turn, at no moment does the tempo slacken. His choice of characters is commendable, whether it is Mr. Chatterjee's secretary Ms. Jolly or Inspector Gowda. From the accented voices of characters, one can actually hear their respective 'native' (place) speaking. A true Kannadiga and Bangalorean, Inspector Gowda takes it personally upon himself to sanitize his beloved city of all - Chatterjees, Choudhurys, Chaddhas and Chaturvedis. 

When we are witnessing almost a dearth of true-to-genre books in the market, this book comes as a whiff of fresh air where intelligent comedy is served in its full glory. We are fast becoming a society where we seek maximum value for money which is exactly the case with books as well. We are being offered medley - comprising of various elements all together - comedy, romance, adventure, et al. 'The Case of the Secretive Sister' reminds one of the humour of the order that is penned by Bill Cosby, Bill Bryson and P.G.Wodehouse. It is a pleasant change from the comedies that have inundated the mainstream television and movies these days. If you are looking for a small, light and a hilarious read, don't miss this one. 

Wednesday, September 24, 2014

I WILL NEVER FORGET : A DAUGHTER'S STORY OF HER MOTHER'S ARDUOUS and HUMOROUS JOURNEY THROUGH DEMENTIA by ELAINE C. PEREIRA

TITLE : I WILL NEVER FORGET
AUTHOR : ELAINE C. PEREIRA
PUBLICATION : i UNIVERSE STAR
ISBN : 978-1-938908-58-3

   " The dead are not buried in the ground but in our hearts.
      They will be there for you when you need them."


This book is much more than a memoir. Written by Elaine in memory of her mother Elizabeth Ward. It gives you an insight into the world of dementia, the pain and confusion not only of it's victim but also of the loved one's who have to see a beloved being ravaged by this disease.

The book takes you back and forth in time, makes you feel happy when the author takes you down her childhood lane through her tantrums, teenage rebellion, her love and affection for her family. Makes you feel sad, when she takes you back to the harsh reality of life, by taking you back to the facility where her parents and later where her mother is staying.

The story very often brings tears to your eyes. Elaine has described her mother's story with such poignancy that you feel her as well as Betty's pain and makes you think about the dementia victims across the world.

 Such simple things in life which we take for granted and dementia victims struggle with them. The  author makes you see life through her mother's eyes, sometimes very foggy and other times lucid. 
                                                                                                                                                               You see the once smart and strong Betty Ward, confused to see her name on her own credit card while paying her bill, as she is simply unable to connect her own name with herself. 

 Elaine has also shown Betty's amazing strength time and again in the book. On one of her clearer days Betty displays her strong character again and behaves like her old self and says "I hope that if this is genetic, your brothers David or Jerry inherited this gene and not you."


 The courageous lady who braved not only her husband's death also of her two sons, does not fail to admit that she is not able to remember things most of the time and finds life hazy. Such open vulnerability is simply heart rending. It is so touching to see Elaine look for signs from her dead brother, for his guidance.

 Elaine does not stick to the arduous side of dementia but has also well chronicled the hilarious side of the effects of the disease. She is  also openly appreciative of the support of her husband, daughters, the doctors and the staff of the facilities and the people who helped her cope up during this journey.

While reading the book many times I had to keep the book down because I found it overwhelming and very often left me choked up because of emotions it evoked. 

 Imagine the plight of the daughter whose biggest fear is that her mother is not going to remember her the next moment! Hats off to that mother who not only courageously fought the disease but also did not let her daughter down and left Elaine's fear unfounded!!!



Extremely touching book that tugs straight at your heart strings!!!

Monday, August 25, 2014

A Search in Secret India by Paul Brunton

Title : A Search in Secret India
Author : Paul Brunton
Publisher : Ebury Pr
ISBN : 9781844130436

Paul Brunton is one of the greatest explorers of the nineteenth century. Many of his writings address spiritual beliefs and traditions of the Eastern world. A Search in Secret India, his first book, is chronicling of his journey in the enigmatic land of India where he spent time with mystics,  yogis and holy men trying to unravel the mysteries of faith and spirituality.  Though he is open minded, he approaches things with scepticism and with a mindset of an intellect. He tries to evaluate things on his scientific and philosophical scale. He embarks on a quest to find the real Yogi but wants to proceed logically. In 'A Search in Secret India', Paul Brunton gives detailed accounts of meetings with various Yogis walking the path of spiritual growth, he also meets many who practise the art of magic and egotism. But then his sojourn eventually leads him to his destination when he finally meets the great sage Sri Ramana Maharishi. The last quarter of the book is dedicated to the time he spent in Ramana Maharishi's ashram in Tamil Nadu. Author feels that his experience at the ashram changed him completely.

As it is, tracking the origin of faith and spirituality in India is nothing less than an enigma. This book offers a great approach to begin to learn about the true changing facets of spirituality in India - critical and logical. With inumerable spiritual  branches and sub-branches sprouting from every possible corner, and materialism making the path to self realisation even harder, it is important to understand and experience spirituality in its truest form.

Paul Brunton's writings are very readable and easy to connect to. The pace of the narrative is a little slow in the first half but then one starts enjoying the tranquil and relaxed pace of the same. The book is set in 1930s and the narrative gives an idea of the supremacy that Britishers enjoyed in India at that time. It is wonderful to read how his journey culminates and that chapter is the highlight of the book. After reading it, one is at least able to get a small glimpse of the higher spirituality which stirs the inner yearning to seek the same.

"But it is not till the second hour of the uncommon scene that I become aware of a silent, resistless change which is taking place within my mind.  One by one, the questions which I have prepared in the train with such meticulous accuracy drop away.  For it does not now seem to matter whether they are asked or not, and it does not seem to matter whether I solve the problems which have hitherto troubled me.  I know only that a steady river of quietness seems to be flowing near me, that a great peace is penetrating the inner reaches of my being, and that my thought-tortured brain is beginning to arrive at some rest.  I surrender myself to the steadily deepening sense of restfulness until two hours have passed... I begin to wonder whether, by some radioactivity of the soul, some unknown telepathic process, the stillness which invades the troubled waters of my own soul really comes from him."

Wednesday, July 30, 2014

Interview : Priya Narayanan

An avid traveller, a voracious reader, a passionate designer, and a doting mother of two - Priya Narayanan believes that there are stories lurking around every corner, waiting to be captured and revealed to the world. Although she has long been a writer of short stories and poetry, it was just recently that she took up the challenge of writing for children. Her book 'The Moon Wants to be Spotless White' (reviewed here) has been well received by the young readers.

How did you pick the topic for your book - 'The Moon Wants to be Spotless White' and what all preparation did you do for penning down this story?

I’ve been in love with the moon from ever since I can remember. I love staring at it and thinking of all the different things it could possibly be, apart from the droning fact that it is a satellite. And I guess at some point in time or the other, every child is fascinated with that white dot on the night sky. So when I thought about writing for children, it didn’t surprise me that the Moon played an important part in my story.

It all started when I had to explain the dark spot on the moon to my tot. I was quite amused by her questions and decided to give her some amusing answers in return, doing away with stereotypes such as the old man or rabbit on the moon. Why couldn’t the spot be something as commonplace as a dirt patch splattered across the moon? That thought sowed the seeds from which the story eventually sprouted. My challenge was to take that very ordinary explanation and turn it around into something extraordinary.

Frankly, I did not prepare much before putting my thoughts on paper. The moment the story took shape in my mind, I ran for pen and paper and wrote it all down at one go, lest I’d forget some part! Of course, by ‘wrote it all down’ I mean the basic idea, which served as both the outline and the spine of the story. Then came the crucial part of developing each scene and character to appeal to the target audience - after all, there is a great difference between conjuring a story for your child at bed-time and writing a story that could be read and enjoyed by children all over the world.

In 'The Moon Wants to be Spotless White', there are three main characters – the Moon, Mitu and Dhobi kaka. I found it immensely enjoyable to personify the Moon and add little nuances to his character that children could find amusing. I particularly enjoyed writing the part where he is folded and waiting in Dhobi kaka’s jhola – all eager to spring out and get a good scrub.

Similarly, I have tried to work out every little detail about the other two characters, be it Dhobi kaka’s looks and background or the nuances of Mitu’s dreamy character. I was also very clear at the outset that I wanted to set the story in a village or small town. I guess it has to do with my own fascination with the flavor of life in small towns – the landscape as well as the community where everyone knows everyone else and even small incidences are blown out of proportion, sometimes to comic effect.


How has been the response to your book? Are you satisfied with it?

The response to the book has been very encouraging. Complete strangers have picked up the book and have sent me mails saying how much they loved it. That is the wonder that the internet is!

What caught me by surprise was that adults too enjoyed the book as much as their kids did. They have also loved the beautiful sync between the story and illustrations. So yes, I’m quite satisfied. It is altogether another matter of course, that this being my debut book, I still have to learn the ropes of promoting the book better to ensure a wider reach.


Are there any sections that you'd want to change in 'The Moon Wants to be Spotless White'? Why?

While life is all hunky dory when you write just for yourself – like I do with my poetry - one has to keep an open mind and accept criticism when you write to be read by others. The answer to whether I want to change any portion of the book would be both Yes and No.

Yes, because when a reader points out a problem area, it would be too pompous on my part to ignore it. I place a great deal of value on constructive criticism. No, because this was the story I set out to tell and changing it would mean not staying true to the seed idea. It is a double-edged sword and a tough call to take at the moment. But there’s one thing I know for certain - I’ll incorporate all the feedback I have received from this book into my upcoming one and ensure that I’ll be in less of a dilemma the next time over.


What ambition do you nurture in terms of writing books for children?

Quite frankly, I did not set out to be a children’s author. It just so happened that my first published work is a book for children. I have been writing poetry ever since I remember and somewhere along the way, I also branched into writing short stories. I have a good collection of poems that I hope to compile into a book of verse some day.

That said, my interactions with children who have read ‘The Moon wants to be Spotless White’ have given me the urge to write more for them. My own children have also been a great source of inspiration – whenever I spin a new tale for them, they ask me in all innocence if I’d be getting that story published too. I wish it were as simple as that!

But yes, I guess I can safely say that I will not stop writing for children. In fact, I already have another book in the pipeline for 5-8 year olds and the first drafts for a couple of short stories for tweens. I wouldn’t call it an ambition; just plain old love. I find children to be non-judgmental and writing for them is very gratifying.


How do you find the kidlit scene in India as compared to its foreign counterpart? Which all changes would you want to see in this sphere?

Growing up, there really was no kidlit scene in India. Or rather, the kidlit market was all about imported titles. However, now,  publishing houses are waking up to the vastly untapped readership for books by Indian authors and the result is a slew of children’s books written in English as well as various Indian languages that bring in a veritable mix of stories, allowing children to explore our country and its diverse cultures. But a lot remains to be done.

Even today, when I walk into a Crosswords store, I can see a pile of foreign titles on highlighted display stands, whereas books by Indian authors – even Ruskin Bond for that matter, are relegated to the quieter racks at the rear. This rather saddens me. While I’m not averse to foreign titles, I feel that there is a need to promote vernacular stories that afford children a context that they can immediately relate to. I would also like to see a more proactive role of publishers and bookstores in promoting Indian kidlit because just publishing a good book is not enough– the book ultimately has to have visibility and reach the hands of as many readers as possible to make it a meaningful venture for all involved.

Another question that one needs to look into is how much is the penetration of kidlit in small-town and rural India today? I would love to see more and more foreign as well as Indian titles in English being translated into regional languages and being made available in every small town in our country.


In which way and in what sense would you want to make a difference in the children's literature?

That’s a googly, really! I don’t know if the stories I write will make a difference in children’s literature – and I’m quite sure no author sets out to write a book with the purpose of changing the literary landscape. What I really aspire is to write stories that nobody has heard of before, write stories that will elicit a chuckle from a child or bring a smile to his/her face.


How has been the journey of being an authoress so far? What is the biggest joy of being one?

I have enjoyed the entire process that saw me grow from being someone who wrote solely for self-consumption to being a widely read author. What started with a whole load of anticipation has culminated into a feeling of exuberance and contentment. Also, the appreciation that has come my way has encouraged me to take more risks with my writing.

The biggest joy of being a writer, of course, is being able to communicate with readers from across the world through the medium of stories. After all, stories are the simplest way to get your message across to another person, aren’t they? Another plus is that I get to do what I love to do most, i.e. writing, minus the guilt trips.


What is your dream story? Do you have any in the pipeline?

I guess my dream story is yet to be dreamt! But really, I have not given this a thought. I am a very impulsive writer. Be it my poems or stories, I do not decide that I have to write about such and such a topic and go about it in a disciplined fashion. I am a keen observer of things, events and people around me and as I said before, I run around looking for pen and paper whenever an idea strikes me. These days, the Evernote app on my phone comes in handy.

I do have another book in the pipeline. This one is also an illustrated story for 5-8 year olds. It deals with the topic of death in the family and I have tried to approach the subject with a lot of sensitivity. I hope readers will receive it with as much enthusiasm and love as they have given my debut book – The Moon wants to be Spotless White.


Which kind of books do you enjoy reading yourself? Who are your favourite authors?

I hope you don’t regret asking me this question, ‘coz it has given me a license to rattle off big names.

While I read almost every kind of book, both fiction and non-fiction, I enjoy reading the classics the most. During my school and college days, I’ve also enjoyed courtroom dramas and crime thrillers to a point of saturation – today, I’d rather see an investigative serial on TV rather than read a book about it. One genre that I don’t find myself drawn to is that of Romance. It’s not that I don’t like romance per say. I’d rather enjoy it as subtle part of a bigger picture than romance taking over every page of a book and choking me with all the mush!

My favourite author has constantly changed to keep up with my growing years. However, during and after graduation, I came across and read a slew of authors – many of whom have made a deep impact in my world-view as well as belief systems. Bertrand Russell, Kafka, Hemmingway, Joseph Conrad, Joyce, Herman Hesse, Gabriel Garcia Marquez, Irving Stone, Nobokov, Graham Greene, Orhan Pamuk . . . I can’t even begin to list them here!

It is indeed a task to choose one favourite, but given my love for the classics, I’ll pick Fyodor Dostoevsky. I have loved all of his work without exception – I even like the way he tackles romance. Amongst Indian authors, I love the short stories by Kushwant Singh and Ismat Chughtai as well as Ruskin Bond’s books for both children and adults. Finally, Walt Whitman wins hands-down amongst poets, with Ogden Nash coming a close second.


 Any tips that you'd want to pass on to the new authors?

I guess I am too new an entrant in this space to be advising others, but yes there are a few things that I’ve picked up along the way, which I’d like to share.

  • Don’t get entangled in the web of everyday routine and push your literary pursuits to another day – if you love writing, just find the time to write by hook or crook.
  • Don’t write to get published, write because you love to do so – the publishing aspect will surely follow.
  • Keep honing your skills as a writer – never make the mistake of thinking you know it all

Monday, July 14, 2014

Done With Men by Suchi Singh Kalra

Title : Done With Men
Author : Suchi Singh Kalra
Publisher : Indireads

'Done With Men' is a light romcom set in the beautiful locales of Goa. Kairavi (Kay) is a weirdly interesting character as the main protagonist who is done with dealing with friends of opposite gender. She resolves never to get involved with any man in future and in the moment of desperation she gets 'Done with Men' etched on her skin as a tattoo. But the love bug does not follow any rules, and it bites her again when she happens to come in contact with Vivian, an Orthopaedic in the hospital. She finds herself falling in love with him in spite of her earlier firm determination. Still recovering from her last heart break, Kay is admonished and advised by her best friend Baani and the pesky Thought Bubble. Kay is back on an love adventure ride.


The characters etched by the author are easy to identify with. Their vulnerabilities, weak moments and imperfections make them very real. The interactions between Kay and Baani are quite believable. Good thing about these IndiReads' novellas is that one can finish them in one sitting. Though there are many Hindi words used in the narrative but the translated words of the same have been provided at the end for the benefit of non-Hindi speaking people. A light, fun and quick read to brighten up any day. The light and breezy language would go well with young adults too. The narrative is laden with humour and wit which keep the readers engaged right from the beginning till the last line. This could easily have been extended with more interesting incidents and anecdotes, but author has not extended the story unnecessarily. Though the narrative takes some very predictable twists and turns but readers would surely enjoy this innocent, short and sweet love story.